Keep your slate full and your audience coming back

Yes. ORCA maintains tiered memory across episodes and seasons — who knows what, when they learned it, which characters are dead, which world facts are established. Episode 12 inherits every constraint from episodes 1–11 automatically. Character knowledge decays realistically. Voice consistency is fingerprinted from 412,000 utterances across 353 real screenplays — when a character drifts from who they are, ORCA catches it because it's studied how 5,000+ characters actually speak. The showrunner's mental model of the story — ORCA has it too, except it doesn't forget.

Everything is derived atomistically from the screenplay — the same way the OSINT engine derives evidence chains from raw documents. Costume gets wardrobe continuity per character per scene. Props gets hero props separated from set dressing. Lighting gets a color script. Cinematography gets keyframes and camera movement. Production design gets atmosphere references per location. Each bible locks hierarchically — once your department head approves at any level, those sections survive regeneration. Nothing downstream can break what's already been signed off. Every spec traces back to a line in the script. Nothing is invented.

No — everything is one-shot. You can download each video and edit as you see fit, but the goal was always to orchestrate the full end-to-end cycle with enough context that editing becomes optional. ORCA carries character visuals, environment continuity, and shot-to-shot framing across every clip so the output holds together. Currently in production on an 8-episode bilingual series. You can edit. You probably won't need to.

A commercial or micro drama takes about 30 minutes. A web series or TV episode runs a few hours. A feature film can take up to 8 hours. Sometimes 15 hours when the adversarial critics run multiple rounds — 16 attack types across continuity, character, craft, dialogue, and structure. A Red Team attacks the script while the generator adapts. The longer it runs, the tighter the script gets. A feature film that used to take months of development. ORCA does it overnight.

You can add your entire crew into the conversation with the agent. But be mindful — this is not a chatbot or a computer-use agent. It's not here to clean your emails or schedule meetings. Your team talks to ORCA about the story, the characters, the production. ORCA responds with structured work product. Add your crew. Just don't ask it to book a restaurant.

Storyboarding tools generate visual sequences from prompts. ORCA produces the entire development layer underneath — story bibles, FOUNTAIN screenplays, 5 department bibles, platform constraints, and adversarial script analysis that catches problems before the table read. 19 perturbation techniques keep the writing from feeling formulaic — vulnerability cracks, silence beats, perspective shifts, cold opens. The visuals come last, after the story is airtight. Storyboard tools give you frames. ORCA gives every department a reason to trust those frames.

Your studio does. Every output — screenplays, character breakdowns, department bibles, generated video — is work product owned by you. No co-authorship claims, no licensing entanglements, no usage restrictions. Your story, your IP, full stop.